Podcasts

Country Fried Rock features new podcasts regularly. Episodes include a conversation with a roots musician.

In Memory of Chris Porter: Shonna Tucker #1707

Shonna Tucker emerged from self-imposed music exile to play bass for Chris Porter‘s final album, Don’t Go Baby It’s Gonna Get Weird Without You. After she left the Drive-By Truckers, she formed a band and released a great album that we featured on a previous podcast. Later, she questioned whether she was meant to play music, and drove a tractor and fed pigs on a farm. Porter’s call to Tucker to play bass came at the perfect time and was just what she needed to jump back into music with both feet. Despite touring together with their former bands (DBT and Centro-Matic), Tucker and Will Johnson had never played together before as a rhythm section, which was a delightful treat for both. A few months after their whirlwind recording, Porter, John Calvin Abney, and Tucker hit the road for an acoustic solo tour, each playing their own songs. Since then, Tucker has joined Pegi Young’s band, The Survivors (along with legends Spooner Oldham, Phil Jones, and Kelvin Holly), and is also available for live and session work when not on the road with Young.

In Memory of Chris Porter: The Mastersons #1706

Friendships run deep when you are a musician. Friends with whom you can pick up right where you left off, after months on the road, become family. Chris Porter forged deep, fast friendships with people in every town he toured, but especially with his tight-knit chosen family of fellow “lifers.” Eleanor Whitmore and Chris Masterson of The Mastersons were family for Porter. The Masterson’s sound permeates his prior album, This Red Mountain. They dropped into the studio one night, just off the plane from tour, to add their sparkle to Don’t Go Baby, It’s Gonna Get Weird Without You. The Masterson’s latest release, Transient Lullaby, was completed but not yet released when he passed away unexpectedly. They dedicated the album to Porter, and often perform the song they co-wrote, “You Got the Last Laugh,” in his memory.

In Memory of Chris Porter: Will Johnson #1705

Will Johnson (Centro-Matic, South San Gabriel) produced Chris Porter‘s final album, Don’t Go Baby It’s Gonna Get Weird Without You, as well as his previous record, This Red Mountain. Johnson produced both albums. Britton Beisenherz engineered and mixed them at Ramble Creek Studio in Austin, Texas. The bands differed in each project, as did Porter’s vision for each album. On Don’t Go Baby, Porter pictured a rollicking rock record. He achieved that with multi-instrumentalist John Calvin Abney (solo, John Moreland), bassist Shonna Tucker (solo, Pegi Young and the Survivors, Drive-By Truckers), and convincing Will Johnson to play drums, yielding a fun rhythm section with Tucker.

In Memory of Chris Porter: Andrea Juarez #1704

Andrea Juarez never planned to release an album. The hair stylist and makeup artist made it happen to honor her fiance, Chris Porter, who passed away on tour October 2016, when their van was rear-ended on the interstate. Mitchell Vandenburg also was killed, and Adam Nurre miraculously survived the horrific wreck. Porter mostly finished tracking his album, Don’t Go Baby It’s Gonna Get Weird Without You.  He recorded it in marathon sessions with Will Johnson (Centro-Matic) , and Shonna Tucker (Pegi Young, Drive By Truckers), and John Calvin Abney (Solo, John Moreland). Bonnie Whitmore hosted a memorial concert to raise the rest of the funds to finish the record, which will be released on the anniversary.

Sally Jaye #1703

Sally Jaye launched Cafe Rooster Records with a legendary guerrilla party at AmericanaFest 2016 in Nashville, TN. The cooperative record label began with friend and co-founder, Darrin Bradbury’s album, Elmwood Park. They quickly added a vinyl release of Jaye’s band, Ladies Gun Club, a vinyl re-issue of her solo album, Amarillo, and a digital release of fellow co-founder Brian Wright’s album, The Sneak Ups. Within the first year, Cafe Rooster released their first two albums “outside” the family, Jon Latham’s acclaimed Lifers and a collaborative record, Strange Freedom: Songs of Love and Protest, to benefit Planned Parenthood. Keeping with the DIY ethos of the artists, the label promotes limited edition, hand-made art, rather than typical merch. With a revived touring schedule of her own (playing in Ojai, CA, and Los Angeles this week), Jaye may be the busiest record label executive in the business.

Boo Ray #1702

Boo Ray recently released Sea of Lights on vinyl, the debut release from Kindercore record pressing in Athens, GA. With a fresh mastering for vinyl and successful showcase at AmericanaFest 2017, Boo Ray and his band continue to tour the US with his distinct brand of Jerry Reed-inspired rock and roll. He’s a heckuva picker and performer and just as laid back and easy-going as you could imagine, laughing at his own jokes because they’re funny.

Catch the podcast below, or in the iTunes and other links. Essential production support for this program provided by Jay Burgess.

Chad Cochran #1701

I first got to know Chad Cochran, known online as CowtownChad, through the defunct Twitter event, Couch By Couchwest. Cochran’s photographs and mixed media art featuring haunting landscapes and abandoned buildings held titles from songs by musicians featured on our show. Through the magic of social media, we became friends and hung out at AmericanaFest in Nashville one year, and then he came down to South Carolina to cover the Country Fried Rock 4th-ish Anniversary party, where Caleb Caudle played in our rural school house, a magical, slightly decrepit place that is made for singing.

At the urging of Lydia Loveless, Cochran has expanded his photography to include concert shots, with a specialty for stage images and raw portraits. In this podcast, we talk about many of the bands he has “shot” recently (Charles Bradley, Old 97s, John Moreland, etc.) and festivals from Nelsonville to High Water. I also put him on the spot about a “wish project” that I hope he accomplishes, with your help.

Sadler Vaden #1609

Sadler Vaden released his debut full length solo album in August 2016. His DIY effort morphed and was scrapped then re-imagined and recorded over a few years. What ultimately became this upbeat, pop influenced rock record demonstrates Vaden’s expertise gleaned from fronting his own band in the early 2000s for 8 years, playing for Drivin N Cryin, and most recently for Jason Isbell. Even his cover of John Moreland’s song, “Nobody Cares About Songs Anymore,” becomes Vaden’s own, filtered through Big Star and Vaden’s own sensibilities.

Buy Sadler Vaden here on Amazon or here on iTunes.
Vinyl, CD, and digital available.

Allen Thompson #1608

Allen Thompson Band‘s new album, Brace Yourself, is still kept under top-secret guard, but the stories leading to the title seem surreal. Thompson and band mate, Clint Maine, both broke their backs in separate accidents within a month of each other. The following year helped them expand their sound and get weirder, as they describe. Thompson called on a slew of music friends to contribute to the record, including the first single, a duet with Elizabeth Cook, “Long Time Thinkin’,” out now.

Always know about your new favorite band by clicking your favorite “Subscribe” link below!

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James Hunter Six #1607

James Hunter was notably “discovered” by Van Morrison while performing in gritty pubs in England, but the songwriter and singer is more than a protege. The James Hunter Six perform across the world, primarily for blues audiences, although they have been embraced by Americana and rock clubs, as well. Their dynamic shows, fronted by the charismatic British-soul singer, highlight their rhythm and horn sections. The band often works up those parts separately before a whirlwind set of rehearsals when they are recording a new album, such as their latest on Dap Tone Records, Hold On.

Buy the James Hunter Six’s music on Amazon or iTunes.

Town Mountain #1606

Town Mountain‘s new album, Southern Crescent, will be out on April Fools’ Day 2016 on Todd Snider’s new record label, Lo Hi. We previously featured this IBMA Award winning band just prior to the release of Leave the Bottle. When we talked for this podcast at Revelator Coffee in Nashville during AmericanaFest, the band had not publicly announced the album and were shopping it around. Southern Crescent reflects the band’s loose, dance-able music, more reflective of their festival and club sets that a staid performing arts center straight-bluegrass set. I’m not sure if the Southern Crescent still runs from Atlanta to Boston like my relatives talked about taking to go “visit culture” in the Northeast, but I’m fairly sure it still runs down to New Orleans, where a more exhilarating culture has endured — an apt analogy for this album.

Town Mountain Southern Crescent is available here on Amazon and iTunes.

Golden Eels #1605

Golden Eels popped onto my feed because of our mutual music preferences on Bandcamp. Their songwriter, Neil Golden, has played on records for several Athens, Georgia, bands, ranging from the Elephant 6 legends, Elf Power, to The Glands and #CFRalumni, Shonna Tucker & Eye Candy. Periscopes in the Air leans toward the psychedelic pop sounds of Golden’s earlier collaborations, yielding a completely DIY record that suits long commutes and pleasant workday distractions.

Buy Periscopes in the Air by Golden Eels here.

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