I first got to know Chad Cochran, known online as CowtownChad, through the defunct Twitter event, Couch By Couchwest. Cochran’s photographs and mixed media art featuring haunting landscapes and abandoned buildings held titles from songs by musicians featured on our show. Through the magic of social media, we became friends and hung out at AmericanaFest in Nashville one year, and then he came down to South Carolina to cover the Country Fried Rock 4th-ish Anniversary party, where Caleb Caudle played in our rural school house, a magical, slightly decrepit place that is made for singing.
At the urging of Lydia Loveless, Cochran has expanded his photography to include concert shots, with a specialty for stage images and raw portraits. In this podcast, we talk about many of the bands he has “shot” recently (Charles Bradley, Old 97s, John Moreland, etc.) and festivals from Nelsonville to High Water. I also put him on the spot about a “wish project” that I hope he accomplishes, with your help.
Browan Lollar released For The Givers And The Takers, an EP of his songs backed by someone from each of the hottest bands in Alabama right now in the studio, then promptly joined St. Paul & The Broken Bones on-the-spot one week later. In the craziness that ensued with joining that fantastic band, Lollar’s EP may not have gotten the attention it should. As an artist, Lollar is more than a go-to guitar slinger, he also is a visual artist with many notable album covers in his portfolio. He prefers a complicated scratch-etch with colored India ink method that yields intense designs that lend themselves to graphic replication, and creatively, this allows him to distill the music he hears on an album into a visual thought that adds to the story. Although you may know him more for playing with some other bands, Browan Lollar’s EP demonstrates that he has a lot to offer of his own music as well.
Browan Lollar For The Givers & The Takers I don’t do track by tracks reviews, but I’ll give my impressions of some of these songs because I really like them.
“Freight Train Heart” reminds me of the Replacements a little bit. You know I love them times eleventy zillion.
“Cars” I don’t think they know each other, but this song reminds me of The District Attorneys.
“Hotel Bars and Ringing Ears” Mellow interlude.
“One In Every Color” Intro builds like something familiar? What is it? This song has the lyrics for the title, “For the givers and the takers,” a phrase used regularly by my best friend. This is a dark tune…
“30 Nails” A delicate duet about divorce, that has a shift midway and the instrumentation really spreads the mood. I’m struck by the comments made by BJ Barham of American Aquarium on one of their songs about Bill Corbin’s divorce, “This is a song about divorce and how much it sucks.”
Here’s a gallery of some of Browan’s album cover art:
Contact Browan Lollar for cover art work through Twitter @BrowanLollar