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Caleb Caudle #1804

Caleb Caudle‘s new album, Crushed Coins, builds dreamy, ethereal landscapes. The newest Country Fried Rock podcast (below) features an in-depth conversation with Caudle about recording in Los Angeles and Nashville and expanding his sound. With familiar players from his previous albums, Caudle found new sounds by keeping the plan flexible. The pedal steel goes ambient rather than country, yet it’s clearly a Caleb Caudle record. Partnering with Cornelius Chapel Records and touring extensively in the US and Europe this year, catch Caleb Caudle live and check out Crushed Coins.

Caudle also happens to love the US National Parks, having visited many of them over his years of touring. Stop by his Instagram to see some of his recent visits. We discuss a few of them in this podcast, as well as his adventure on Cayamo 2018.

Banditos #1801

Banditos Visionland, Bloodshot Records

Banditos grew as a band through relentless touring of nearly 250 shows per year.  When not on the road, they lived together in a house in Birmingham, Alabama, and later relocated to Nashville.  Their second album, Visionland, is named for a defunct theme park in rural Alabama.  The namesake fell apart due to political corruption and greed, which Banditos see recurring in our national political landscape.  Producer Israel Nash (and Ted Young) kept a calm, creative vibe during their recording. Keeping cool can be challenging with a band of three songwriters and a fully egalitarian structure.

Relocating

Recently, founding member Steve Pierce returned to Alabama, and the band honed their songwriting methods by trying new ways of communicating.  Pierce emailed song ideas from Sweden at the end of the year, and when they gathered again for two weeks, the band worked together on those songs and ideas.  These foundations of their third album show Banditos’ growth as songwriters and performers.

Recording

Banditos hit the road again this winter, continuing their hectic touring, and looking ahead to where they will record their next album.

In Memory of Chris Porter: The Mastersons #1706

Friendships run deep when you are a musician. Friends with whom you can pick up right where you left off, after months on the road, become family. Chris Porter forged deep, fast friendships with people in every town he toured, but especially with his tight-knit chosen family of fellow “lifers.” Eleanor Whitmore and Chris Masterson of The Mastersons were family for Porter. The Masterson’s sound permeates his prior album, This Red Mountain. They dropped into the studio one night, just off the plane from tour, to add their sparkle to Don’t Go Baby, It’s Gonna Get Weird Without You. The Masterson’s latest release, Transient Lullaby, was completed but not yet released when he passed away unexpectedly. They dedicated the album to Porter, and often perform the song they co-wrote, “You Got the Last Laugh,” in his memory.

Golden Eels #1605

Golden Eels popped onto my feed because of our mutual music preferences on Bandcamp. Their songwriter, Neil Golden, has played on records for several Athens, Georgia, bands, ranging from the Elephant 6 legends, Elf Power, to The Glands and #CFRalumni, Shonna Tucker & Eye Candy. Periscopes in the Air leans toward the psychedelic pop sounds of Golden’s earlier collaborations, yielding a completely DIY record that suits long commutes and pleasant workday distractions.

Buy Periscopes in the Air by Golden Eels here.

Podcast
Listen or download below or on SoundCloud.

Kevin Gordon #1604

Kevin Gordon‘s latest album, Long Gone Time, continues his thoughtful, critical examination of reconciling your love for family with deeply held incompatible beliefs. Country Fried Rock previously featured Gordon following his album, Gloryland. Gordon again recorded with his friend and frequent guitar player, Joe V. McMahan, and funded the album with a personal twist on crowdfunding, detailed in our conversation. We recorded this program in our AirBnB in East Nashville during AmericanaFest 2015.

Buy Kevin Gordon’s music here.

PODCAST
Listen or download the podcast below or on SoundCloud.

Jeffrey Foucault #1603

Jeffrey Foucault’s (pronounced Folk-alt) latest album, Salt As Wolves, brings the #CFRalum (previously featured here) back to his rock and blues roots. The title references Shakespeare’s character, Iago, from Othello, but the songs reflect Foucault’s personal life more than any of his other albums. As he prepares for the European leg of his tour supporting the record, his long-time band slips into his groove without missing a beat.

Buy Jeffrey Foucault’s music here on Amazon.

Podcast
Stream or download below or on SoundCloud.

Randall Bramblett #1321

Randall Bramblett’s latest solo album, The Bright Spots, highlights his songwriting and the long-term musical collaboration with Davis Causey–going back before Bramblett’s time with the Allman Brothers, well before their collaboration with Chuck Leavell in Sea Level. Bramblett is known as much for his collaborations as he is for his own songwriting, working in multiple incarnations with overlapping musicians and bands. He’d be perfect for a musical Venn Diagram. To only know his playing with other bands, though, leaves a false sense of who Bramblett is as a musician. His solo records stretch across genres, ebbing and flowing–but always growing. None of his work is nostalgic. The Bright Spots is a great example of continued growth, always looking to cover new ground, not beat a path to a doorway that has already been entered.

Liner Notes

  • Randall Bramblett The Bright Spots
  • Bonnie Raitt Used To Rule The World Bramblett composed this tune and also toured with Raitt.
  • Gregg Allman with Cowboy (Tour & Recording). This tour brought together some Capricorn Records greats from Macon, Georgia, including songwriter Tommy Talton and Scott Boyer’s band, Cowboy, to work with Gregg Allman. This tune, in the middle of Allman’s set, includes Bramblett on organ and sax, Allman on organ, & Chuck Leavell on electric piano, among others. The CD was re-released by Polydor.  Time Will Take Us – Cowboy This set is surprisingly un-Allman Brothers Band sounding. If you’ve never heard it, you should get the album here The Gregg Allman Tour.
  • Sea Level Long Walk On A Short Pier

    from Allmusic.com: “…a bad*** Bramblett blues-rocker with hot guitar from Jimmy Nalls”

    Sea Level took its name from Chuck Leavell, and although it shared many members with different iterations of the Allman Brothers Band over time, the players had known each other in different pairings before their associations with ABB. Think of it more like lots of big fish swimming in a small pond.

  • Driftwood Wanderlust Davis Causey produced this little-known, fantastic record, and played quite a bit on it. If you did not follow this program in its early days, you may have missed our feature of Driftwood and Causey’s instrumental role in bringing that concept record to life. It’s a fabulous album that you really ought to buy.
  • Michael Rhodes played with The Notorious Cherry Bombs The Notorious Cherry Bombs, as well as zillions of other projects. You might remember them as one of Rodney Crowell’s bands, and their infamous tune, “It’s Hard To Kiss The Lips At Night That Chew Your A$$ Out All Day Long.” Yes, that’s a real song.

Video

#1250 Gretchen Peters

When Gretchen Peters decided to write about her private upheaval of the last few years, she chose to record these songs herself.  Calling on a small circle of close friends, including her new husband–but longtime bandmate–Barry Walsh, Peters crafted a dark but cathartic album.  For listeners familiar with her previous albums, Peters’ voice explores the lower end of her register, hinting at the difference in this theme and what is to come in Hello Cruel World.

Most Americana fans know Rodney Crowell for his songwriting and performing, but to Peters and Walsh, he was also their marriage officiant, with a certificate straight off the Internet.  Despite their familiarity with each other, Peters was a bit intimidated to work with Crowell on this record, and especially on the song that turned into their duet.  Even noted songwriters like Peters can have professional idols and a little bit of fangirl-dom, too!

Country Fried Rock probably would not have been tapped into Peters’ album if she had not stopped by  Couch By CouchWest 2012, a virtual music festival held each March.  In this event, songwriters send exclusive videos of themselves performing from a couch–or elevator, sofabed, recliner–and music fans all over Twitter join in.  This year, #CXCW went crazy when noted writers Ray Wylie Hubbard and Gretchen Peters, respectively, sent in videos.  Thanks to a fun time on the Internet, we rediscovered a writer we may have overlooked.

Liner Notes:  Gretchen Peters has extensive liner notes for Hello Cruel World on her website.
Gretchen Peters Hello Cruel World [Explicit] Gretchen Peters
Kim Richey Wreck Your WheelsWreck Your Wheels - Kim Richey
Daddy (Will Kimbrough and Tommy Womack) For A Second Time Kim Richey
Mickey Newbury An American Trilogy Mickey Newbury
Bob Dylan and The Band The Basement Tapes The Basement Tapes - Bob Dylan & The Band

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#1245 The Whispering Pines

The Whispering Pines find music that binds them together in thrift shops and flea markets, in the cardboard boxes of vinyl that spent decades in isolation and are once again coveted items.  Bands like Cowboy and The Allman Brothers seeped into their ears, meshing with California-influenced psychedelic folk rock bands to create a new generation of songwriters like Neal Casal, Jonathan Wilson, and The Whispering Pines.  The 1970’s bands permeate their influences and recording.

The Whispering Pines are not a “throw back” band, though, as their creative partners and good friends from the band Everest helped with ideas along the way, bringing the recordings from three different studios together into one cohesive album.  Their self-titled second record should be hear in its entirety, like most records of the 1970’s.  Its beauty is not in any one single, but in the songs together as a vibe and mood–West Coast easy, without getting too heady.

Their next record is already in the works, and given the growth of the band between these two releases, it should prove to be an even clearer reflection of The Whispering Pines and what they want from their records.  As they develop their live performances and take their show to new audiences outside Southern California, their sound will emerge as one with a gentle groove that attracts fans.

If you like what you hear in this radio show, please support the bands by buying their music here (Amazon or iTunes):

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