Interview

Jeffrey Foucault #1603

Jeffrey Foucault’s (pronounced Folk-alt) latest album, Salt As Wolves, brings the #CFRalum (previously featured here) back to his rock and blues roots. The title references Shakespeare’s character, Iago, from Othello, but the songs reflect Foucault’s personal life more than any of his other albums. As he prepares for the European leg of his tour supporting the record, his long-time band slips into his groove without missing a beat.

Buy Jeffrey Foucault’s music here on Amazon.

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Aaron Lee Tasjan #1523

Aaron Lee Tasjan writes folk songs for an indie rock crowd, weaving storylines with humor and social commentary. His debut full-length album, In The Blazes, includes friends from his former band, Everest, at the helm, and the vibe of Elliott Smith’s studio, New Monkey. Tasjan is touring heavily in support of the album, opening for Ray Wylie Hubbard, and playing solo and band gigs across the country. NOTE: We previously featured ALT here, following his debut EP.

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We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.

Bones of JR Jones #1510

The Bones of JR Jones is mostly a one-man band, although JR sometimes plays with a variety of setups. His recent album, Dark Was The Yearling, was made possible by a happen-chance meeting at an empty gig. The Bones of JR Jones is getting ready to tour the South and MidWest through the spring, so catch a show when he’s in your town.

Buy Bones of JR Jones’ music here.

Podcast
Download here, links below, or on SoundCloud.

Please subscribe to Country Fried Rock in iTunes or your favorite podcast app, and leave us a rating and a comment! That will help boost our search results and allow people to find the show more easily.

We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.

Randall Bramblett #1321

Randall Bramblett’s latest solo album, The Bright Spots, highlights his songwriting and the long-term musical collaboration with Davis Causey–going back before Bramblett’s time with the Allman Brothers, well before their collaboration with Chuck Leavell in Sea Level. Bramblett is known as much for his collaborations as he is for his own songwriting, working in multiple incarnations with overlapping musicians and bands. He’d be perfect for a musical Venn Diagram. To only know his playing with other bands, though, leaves a false sense of who Bramblett is as a musician. His solo records stretch across genres, ebbing and flowing–but always growing. None of his work is nostalgic. The Bright Spots is a great example of continued growth, always looking to cover new ground, not beat a path to a doorway that has already been entered.

Liner Notes

  • Randall Bramblett The Bright Spots
  • Bonnie Raitt Used To Rule The World Bramblett composed this tune and also toured with Raitt.
  • Gregg Allman with Cowboy (Tour & Recording). This tour brought together some Capricorn Records greats from Macon, Georgia, including songwriter Tommy Talton and Scott Boyer’s band, Cowboy, to work with Gregg Allman. This tune, in the middle of Allman’s set, includes Bramblett on organ and sax, Allman on organ, & Chuck Leavell on electric piano, among others. The CD was re-released by Polydor.  Time Will Take Us – Cowboy This set is surprisingly un-Allman Brothers Band sounding. If you’ve never heard it, you should get the album here The Gregg Allman Tour.
  • Sea Level Long Walk On A Short Pier

    from Allmusic.com: “…a bad*** Bramblett blues-rocker with hot guitar from Jimmy Nalls”

    Sea Level took its name from Chuck Leavell, and although it shared many members with different iterations of the Allman Brothers Band over time, the players had known each other in different pairings before their associations with ABB. Think of it more like lots of big fish swimming in a small pond.

  • Driftwood Wanderlust Davis Causey produced this little-known, fantastic record, and played quite a bit on it. If you did not follow this program in its early days, you may have missed our feature of Driftwood and Causey’s instrumental role in bringing that concept record to life. It’s a fabulous album that you really ought to buy.
  • Michael Rhodes played with The Notorious Cherry Bombs The Notorious Cherry Bombs, as well as zillions of other projects. You might remember them as one of Rodney Crowell’s bands, and their infamous tune, “It’s Hard To Kiss The Lips At Night That Chew Your A$$ Out All Day Long.” Yes, that’s a real song.

Video

#1250 Gretchen Peters

When Gretchen Peters decided to write about her private upheaval of the last few years, she chose to record these songs herself.  Calling on a small circle of close friends, including her new husband–but longtime bandmate–Barry Walsh, Peters crafted a dark but cathartic album.  For listeners familiar with her previous albums, Peters’ voice explores the lower end of her register, hinting at the difference in this theme and what is to come in Hello Cruel World.

Most Americana fans know Rodney Crowell for his songwriting and performing, but to Peters and Walsh, he was also their marriage officiant, with a certificate straight off the Internet.  Despite their familiarity with each other, Peters was a bit intimidated to work with Crowell on this record, and especially on the song that turned into their duet.  Even noted songwriters like Peters can have professional idols and a little bit of fangirl-dom, too!

Country Fried Rock probably would not have been tapped into Peters’ album if she had not stopped by  Couch By CouchWest 2012, a virtual music festival held each March.  In this event, songwriters send exclusive videos of themselves performing from a couch–or elevator, sofabed, recliner–and music fans all over Twitter join in.  This year, #CXCW went crazy when noted writers Ray Wylie Hubbard and Gretchen Peters, respectively, sent in videos.  Thanks to a fun time on the Internet, we rediscovered a writer we may have overlooked.

Liner Notes:  Gretchen Peters has extensive liner notes for Hello Cruel World on her website.
Gretchen Peters Hello Cruel World [Explicit] Gretchen Peters
Kim Richey Wreck Your WheelsWreck Your Wheels - Kim Richey
Daddy (Will Kimbrough and Tommy Womack) For A Second Time Kim Richey
Mickey Newbury An American Trilogy Mickey Newbury
Bob Dylan and The Band The Basement Tapes The Basement Tapes - Bob Dylan & The Band

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#1245 The Whispering Pines

The Whispering Pines find music that binds them together in thrift shops and flea markets, in the cardboard boxes of vinyl that spent decades in isolation and are once again coveted items.  Bands like Cowboy and The Allman Brothers seeped into their ears, meshing with California-influenced psychedelic folk rock bands to create a new generation of songwriters like Neal Casal, Jonathan Wilson, and The Whispering Pines.  The 1970’s bands permeate their influences and recording.

The Whispering Pines are not a “throw back” band, though, as their creative partners and good friends from the band Everest helped with ideas along the way, bringing the recordings from three different studios together into one cohesive album.  Their self-titled second record should be hear in its entirety, like most records of the 1970’s.  Its beauty is not in any one single, but in the songs together as a vibe and mood–West Coast easy, without getting too heady.

Their next record is already in the works, and given the growth of the band between these two releases, it should prove to be an even clearer reflection of The Whispering Pines and what they want from their records.  As they develop their live performances and take their show to new audiences outside Southern California, their sound will emerge as one with a gentle groove that attracts fans.

If you like what you hear in this radio show, please support the bands by buying their music here (Amazon or iTunes):

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