reissue

Tim Nielsen of Drivin N Cryin #1802

Atlanta’s Home Town Band

Tim Nielsen co-founded Drivin N Cryin with Kevn Kinney in Atlanta in 1985. Drivin N Cryin were hometown heroes before their debut album, Scarred But Smarter, was even released, as R.E.M. had already “made it huge” for a Georgia band by then. Whisper Tames the Lion was their major label release on Island Records, who also re-released SBS. By the time Mystery Road came out, Drivin N Cryin were on the road to major rock band stardom. Catch the almost-rise, and not-exactly fall in the fan-film by Eric von Haessler, with special guests like Jason Isbell and Darius Rucker.

Vinyl Album Re-issue of Mystery Road

In October 2017, the archives imprint of Island Records remastered and re-released Mystery Road, in a gatefold vinyl double album. The re-issue includes several of the Peter Buck demos for that session, previously only available under the counter from local record stores and tape traders. Even the scrapped title track finally makes this version of Mystery Road. Buck and Kinney have been long-time close friends, and Buck was supposed to produce Mystery Road. Due to R.E.M. band obligations and the album-cycle expectations of DNC’s label, the project ended up with a different team behind the board. It’s a treat to finally, officially hear some of these demos!

DNC Officially Welcomes Laur Joamets & Announces New Album Produced by Aaron Lee Tasjan

Country Fried Rock’s family tree continues to pollinate. In our original Kevn Kinney interview (here and second conversation here), he mentioned one of his favorite emerging songwriters, Aaron Lee Tasjan, who has since been featured twice on this podcast. Tasjan will produce the next Drivin N Cryin album, and has already shared some pre-production sneak peeks.

Mystery Road reissue 2017 album art

New Music May 2013

R.E.M. Green 25th Anniverary Re-issue

Jason Boland & The Stragglers Dark & Dirty Mile

The Del-Lords Elvis Club (Featured Radio Show)

Randall Bramblett The Bright Spots (Featured Radio Show)

David Bowie Zeit! 77-79

Cheap Trick Complete Epic Albums Collection

The Doors Infinite Collection (A Vinyl Box Set Import)

Grand Funk Railroad Icon

Culture Club Icon (I’m not embarrassed to love this cheese.)

The Everly Brothers A Date With The Everly Brothers

The Supremes Meet The Supremes Expanded

Tangerine Dream Resurrection

S.O.S. Band Import

Lena Hughes and Other Obscure Guitar Players

I admit to knowing nothing about this, but I became fascinated with out of print private press records when I was a teen. This is one about obscure acoustic guitar players that I have never heard of before.

This is all new to me, but there’s a record, too: Obscure Giants of Acoustic Guitar.

From the press release:
A musical “amateur” that best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist and guitar picker who retained the largely extinct repertoire of parlor pieces and the variety of specialized tunings that were necessary to play them. She lived most of her life in Ludlow, Missouri and passed away in 1998.
Lena Hughes’ repertoire can be divided roughly in half: finger-picked numbers adapted from fiddle tunes and recast parlor guitar pieces gleaned from popular sentimental songs, hymns, and 19th century airs. As a faithful attendee at folk festivals, Hughes was accompanied by her guitar-playing husband, Jake. Her most mesmerizing performances, such as Pearly Dew, Spanish Fandango, and Kentucky Moon Waltz, depend heavily upon the resonance of the open chord as it relates to the picking of the melodic line, primarily on one string. This tonal reliance is most similar to the “celestial octave” that Washington Phillips employs, with similar effect, on his Train Your Child. This ethereal harmonic technique, which seems so natural in Hughes’ playing, is the holy grail for most finger-picking guitarists. Her lack of pretense and her mastery of this repertoire is what defines her legendary status.

These recordings were made in the early 60’s in Arkansas and released in very limited fashion as a private press LP. Remastered by Chris King. Designed by Susan Archie. New liner notes by JOHN RENBOURN.