Jacob Furr has been on our radar for a couple years, due to the surprisingly small world of Texas songwriters and Country Fried Rock alumni. Larry Hooper played Couch By Couch West and mentioned Furr, and then through our recent alumni, St. Paul & The Broken Bones, we were also connected via conversations about coffee. How does all of this relate to Furr’s new album, Trails & Traces? As Jacob profoundly says in our conversation, “We don’t live in a vacuum. None of us are doing this alone.”
Listen to this emotional conversation about songwriting and the memory of his young wife, Christina, who passed away after a terrible illness. Somehow, this is a hopeful, joy-filled chat about a person I only knew through my love of coffee and her blog, Cup Of Texas, and the melancholy songwriter who loved her. #CupOfMornings
The free PODCAST is at the bottom of this page.
It’s much longer than most, so give it time to download.
The radio program, heard on select radio stations, features a shorter version of this conversation.
Browan Lollar released For The Givers And The Takers, an EP of his songs backed by someone from each of the hottest bands in Alabama right now in the studio, then promptly joined St. Paul & The Broken Bones on-the-spot one week later. In the craziness that ensued with joining that fantastic band, Lollar’s EP may not have gotten the attention it should. As an artist, Lollar is more than a go-to guitar slinger, he also is a visual artist with many notable album covers in his portfolio. He prefers a complicated scratch-etch with colored India ink method that yields intense designs that lend themselves to graphic replication, and creatively, this allows him to distill the music he hears on an album into a visual thought that adds to the story. Although you may know him more for playing with some other bands, Browan Lollar’s EP demonstrates that he has a lot to offer of his own music as well.
Browan Lollar For The Givers & The Takers I don’t do track by tracks reviews, but I’ll give my impressions of some of these songs because I really like them.
“Freight Train Heart” reminds me of the Replacements a little bit. You know I love them times eleventy zillion.
“Cars” I don’t think they know each other, but this song reminds me of The District Attorneys.
“Hotel Bars and Ringing Ears” Mellow interlude.
“One In Every Color” Intro builds like something familiar? What is it? This song has the lyrics for the title, “For the givers and the takers,” a phrase used regularly by my best friend. This is a dark tune…
“30 Nails” A delicate duet about divorce, that has a shift midway and the instrumentation really spreads the mood. I’m struck by the comments made by BJ Barham of American Aquarium on one of their songs about Bill Corbin’s divorce, “This is a song about divorce and how much it sucks.”
Here’s a gallery of some of Browan’s album cover art:
Contact Browan Lollar for cover art work through Twitter @BrowanLollar