Texas

In Memory of Chris Porter: Shonna Tucker #1707

Shonna Tucker emerged from self-imposed music exile to play bass for Chris Porter‘s final album, Don’t Go Baby It’s Gonna Get Weird Without You. After she left the Drive-By Truckers, she formed a band and released a great album that we featured on a previous podcast. Later, she questioned whether she was meant to play music, and drove a tractor and fed pigs on a farm. Porter’s call to Tucker to play bass came at the perfect time and was just what she needed to jump back into music with both feet. Despite touring together with their former bands (DBT and Centro-Matic), Tucker and Will Johnson had never played together before as a rhythm section, which was a delightful treat for both. A few months after their whirlwind recording, Porter, John Calvin Abney, and Tucker hit the road for an acoustic solo tour, each playing their own songs. Since then, Tucker has joined Pegi Young’s band, The Survivors (along with legends Spooner Oldham, Phil Jones, and Kelvin Holly), and is also available for live and session work when not on the road with Young.

In Memory of Chris Porter: The Mastersons #1706

Friendships run deep when you are a musician. Friends with whom you can pick up right where you left off, after months on the road, become family. Chris Porter forged deep, fast friendships with people in every town he toured, but especially with his tight-knit chosen family of fellow “lifers.” Eleanor Whitmore and Chris Masterson of The Mastersons were family for Porter. The Masterson’s sound permeates his prior album, This Red Mountain. They dropped into the studio one night, just off the plane from tour, to add their sparkle to Don’t Go Baby, It’s Gonna Get Weird Without You. The Masterson’s latest release, Transient Lullaby, was completed but not yet released when he passed away unexpectedly. They dedicated the album to Porter, and often perform the song they co-wrote, “You Got the Last Laugh,” in his memory.

In Memory of Chris Porter: Will Johnson #1705

Will Johnson (Centro-Matic, South San Gabriel) produced Chris Porter‘s final album, Don’t Go Baby It’s Gonna Get Weird Without You, as well as his previous record, This Red Mountain. Johnson produced both albums. Britton Beisenherz engineered and mixed them at Ramble Creek Studio in Austin, Texas. The bands differed in each project, as did Porter’s vision for each album. On Don’t Go Baby, Porter pictured a rollicking rock record. He achieved that with multi-instrumentalist John Calvin Abney (solo, John Moreland), bassist Shonna Tucker (solo, Pegi Young and the Survivors, Drive-By Truckers), and convincing Will Johnson to play drums, yielding a fun rhythm section with Tucker.

In Memory of Chris Porter: Andrea Juarez #1704

Andrea Juarez never planned to release an album. The hair stylist and makeup artist made it happen to honor her fiance, Chris Porter, who passed away on tour October 2016, when their van was rear-ended on the interstate. Mitchell Vandenburg also was killed, and Adam Nurre miraculously survived the horrific wreck. Porter mostly finished tracking his album, Don’t Go Baby It’s Gonna Get Weird Without You.  He recorded it in marathon sessions with Will Johnson (Centro-Matic) , and Shonna Tucker (Pegi Young, Drive By Truckers), and John Calvin Abney (Solo, John Moreland). Bonnie Whitmore hosted a memorial concert to raise the rest of the funds to finish the record, which will be released on the anniversary.

“Shit Got Dark” from Upcoming Posthumous Album, Porter & the Bluebonnet Rattlesnakes

Long-time pal and friend to everyone he ever met, Chris Porter‘s final album, Don’t Go Baby It’s Gonna Get Weird Without You from Porter & the Bluebonnet Rattlesnakes, will be released 10/20 on Cornelius Chapel Records. Porter recorded with fellow Country Fried Rock alumni and friends, Will Johnson (Centro-Matic), John Calvin Abney, Shonna Tucker (former Drive-By Truckers), Chris Masterson & Eleanor Whitmore (The Mastersons), and intended it to be released as a farewell to Austin, TX, to relocated to Nashville. His plans with his fiancee, Andrea Juarez, were cut short by his tragic death while on tour in October 2016, when their van was rear-ended on the interstate.

Keep your ears peeled for upcoming podcasts with several of Porter’s pals on how they worked to make sure his album reached the world, after he left this one. There will be two album release parties, in his hometowns.
Austin, TX 10/21 Stay Gold
Birmingham, AL 11/4 Syndicate Lounge

Lincoln Durham “Creeper”

Country Fried Rock featured Lincoln Durham several years ago, and he’s only gotten better. Here’s “Creeper” off his latest album, Revelations of a Mind Unraveling, available on Amazon and iTunes.

Lukas Nelson

Lukas Nelson and Promise of the Real have a fun new tune out, “Something Real,” from their brand new album of the same name, available here on Amazon and iTunes .

Danny Barnes #1524

Danny Barnes returns to Country Fried Rock to discuss his recent accolade, the Steve Martin Prize for Excellence in Banjo and Bluegrass. Barnes has two distinct audiences: those who know him for playing with bands ranging from Dave Matthews Band to the Butthole Surfers, and those who know him for his songwriting and wide-ranging banjo styles. The term “electronic folk” may have been coined just for him.

Barnes is fascinated by sound, and how incongruous sounds mesh or conflict. From the computer programs he designed to interpret his banjo or bazouki playing to his obsession with noise music and cassettes, Barnes is engrossed by the process as much as the product. This year, he released a special recording for Cassette Store Day on his cassette-label, Minner Bucket Records, and will release a more traditional bluegrass album later. Barnes’ take on “tradition” is anything but traditional, though, so it is guaranteed to be another fascinating investigation of technology and instrumentation.

PODCAST
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Folk Family Revival #1517

Folk Family Revival consists of three brothers and their buddy, but they are definitely moving towards psychedelic rock rather than straight-up folk with their sophomore album, Waterwalker, out now on Rock Ridge Music. With a homemade liquid light show from a visually talented friend, the luxury of regular studio access, and no external time constraints on recording, Folk Family Revival leaps into new territory. The songs continue to grow, both intentionally and for diverse audiences ranging from post-line dance classes in a legendary Texas roadhouse to sportsbars, finding ways to keep audiences engaged and the music fresh.

Buy Folk Family Revival’s music here.

Podcast
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We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.

Cale Tyson #1506

Cale Tyson surprised us with news of his upcoming country soul debut album, recording this spring at FAME Studio in Muscle Shoals, Alabama. His two recent EPs took him to traditional country music, cementing his transition from Texas indie folk to Nashville. After straddling the bubble of Belmont and real-life working musicians, Tyson is ready to find his voice in the coming year.

Buy Cale Tyson’s music here.

Podcast
Also available on SoundCloud.

Please subscribe to Country Fried Rock in iTunes or your favorite podcast app, and leave us a rating and a comment! That will help boost our search results and allow people to find the show more easily.

We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.

Steve Earle #1504

Steve Earle channels his Texas Blues roots with his latest album, Terraplane — named for the noted song by Robert Johnson, but known to me in the well-circulated Canned Heat live tapes. Referencing everyone from Lightning Hopkins to Billy Gibbons of ZZ Top, Earle interviews himself, but does not get caught up in his script. He deftly name drops his own stint in jail, averting some questions by glossing over them and moving on so quickly that the pace is disrupted when going back to pick up dropped threads of thought. Earle respects those with whom he works, highlighting Chris Masterson’s (previously featured here) role in developing this blues trail during sound checks.

Buy Terraplane here.

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Please subscribe to Country Fried Rock in iTunes or your favorite podcast app, and leave us a rating and a comment! That will help boost our search results and allow people to find the show more easily.

We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.

Mike Zito #1502

Mike Zito talked with Country Fried Rock just before the announcement that he was leaving Royal Southern Brotherhood — a departure with no drama or backstory, other than a guy who finally found what he wanted to do musically and the craziest opportunity blossomed right in the middle of it. Zito’s growth as a musician really started after getting sober, and that clarity allowed him to find and follow his truth, which he describes as wandering the road of Texas blues. When it became clear that Royal Southern Brotherhood had legs beyond a novelty supergroup, he ushered in Bart Walker and stepped away to continue down his own route.

Buy Mike Zito’s music here.
Buy The Royal Southern Brotherhood’s music here.

PODCAST
Subscribe on iTunes, via Stitcher, or on SoundCloud.

Please subscribe to Country Fried Rock in iTunes or your favorite podcast app, and leave us a rating and a comment! That will help boost our search results and allow people to find the show more easily.

We welcome your feedback on the show. You can reach me on Facebook or @countryfriedrok.